Seedream 5.0 Lite Text to Image API

A scientifically accurate educational infographic explaining the honeybee waggle dance, drawn in a warm naturalist illustration style on cream paper. A title across the top reads exactly "THE WAGGLE DANCE". Below it, four numbered panels in a 2x2 grid, each with one short caption in clean capital letters. Panel 1 caption "1. A FORAGER FINDS FLOWERS": a worker bee flies from a wooden hive to a field of purple lavender; a dotted flight line leads to the flowers, a small sun sits in the sky, and a thin arc marks a 40 degree angle between the sun direction and the flight line. Panel 2 caption "2. SHE DANCES ON THE COMB": a vertical honeycomb of hexagonal wax cells; the returning bee traces a figure-eight path whose straight waggle run is tilted 40 degrees to the right of vertical, with a dashed vertical reference line, a thin arc marking the 40 degree angle between that line and the waggle run, and a small upward arrow whose tip carries the single word "SUN" to show that straight up on the comb stands for the direction of the sun. Panel 3 caption "3. LONGER WAGGLE, FARTHER FOOD": three waggle runs of increasing length drawn side by side, each connected to a flower patch placed at an increasing distance from the hive. Panel 4 caption "4. SISTERS FOLLOW THE MAP": several bees that watched the dance fly out from the hive along the same 40 degree angle to the sun and reach the lavender field. The 40 degree angle must stay consistent in panels 1, 2 and 4. Anatomically correct bees with six legs and four wings, readable fine linework, every word spelled correctly, no other text, no watermark.

A cinematic documentary photograph inside a centuries-old glassblowing furnace room on the island of Murano, Venice, late at night. In the foreground, a master glassblower in a sweat-darkened grey linen shirt and a scorched leather apron turns a long blowpipe with a glowing orange gather of molten glass at its tip; his face is lit from below by the glow. In the middle ground, a young female assistant shields her face with a wooden paddle as she opens the round furnace door, revealing a white-hot interior that is the brightest light source in the room. In the background, partly hidden behind the assistant's shoulder, an older artisan sits at a steel bench shaping a translucent cobalt-blue vase with folded wet newspaper, a wisp of steam rising. Shelves along the soot-darkened brick wall hold finished clear, amber and green glass pieces that refract the orange light and cast colored caustics onto the bench. Correct occlusion and depth between the three people, every shadow falling away from the furnace, warm firelight contrasted with cool blue moonlight from one small window, visible heat shimmer above the furnace mouth, 35mm lens, natural skin texture, believable hands with five fingers, no text, no logos, no watermark.

An ultra-wide cinematic landscape photograph of the Altai Mountains in western Mongolia in deep winter at golden hour. In the left third of the foreground, a Kazakh eagle hunter sits on a sturdy brown Mongolian horse, wearing a fox-fur hat and a long embroidered wool coat; he raises his thick leather-gloved forearm as a golden eagle with fully spread wings lands on it, powder snow kicked up around the horse's hooves. In the middle distance on the right, a second rider leads a small caravan of four Bactrian camels across a frozen river, their long shadows stretching over the snow. Far behind, jagged snow-covered peaks glow pink and gold under a clear pale sky, each successive ridge lighter and hazier with distance. Correct relative scale between the eagle, the riders, the camels and the mountains, one consistent low sun from the right, visible breath vapor from the horse, fine detail in feathers and fur, no text, no watermark.